increasingly threatened by the new rock and roll and rockabilly styles formed in the center of the "traditional" country music, Nashville, resistance against this new-fangled stuff that was going to create a cultural hegemony. However, the slogan was less " back to the roots "(which was most likely from the bluegrass scene embodies), should rather the "Reconquista" assume more the form of a counter-reformation. Is formed from 1956/57 in the new Nashville Nashville Sound , the two producers, who created guitar virtuoso Chet Atkins and Owen Bradley in which the honky tonk sound with elements of contemporary pop music funk up your (or verschmalzten, depending on perspective), particularly through the use of choirs and strings. Another element was a newly invented instrument, the electric pedal steel guitar (a steel guitar with foot pedals), which was sold by the company from 1957 Sho-Bud commercial. Three years earlier, this instrument by the title Slowly popularized the honky tonk singer Webb Pierce been:
the first hit in the new Nashville Sound is generally the rehearsed in November 1956 and early 1957 titles published by Gone Ferlin Husky :
about the same time Don Gibson his title Sweet dreams recorded (with Floyd Kramer, another architect of the Nashville Sounds, on the piano), the later including Patsy Cline and Jerry Lee Lewis was covered :
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